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So here we are Day Two and here's Podcast Part 3 - the first 4 Roger More films!!! Onwards we go......
Barbara Bach is brilliant as Anya. Far from being a damsel
in distress, she matches Bond in wit and skill, even saving Bond from a falling
rock at the Pyramids. She can even come out with a Bond-esque quip without it
sounding forced. The chemistry between Bach and Moore is pretty good too; they
spark off one another nicely. The scene where Anya asks Bond if he killed the
man she loved is impressive.
Jaws makes his first appearance and is just great. Richard
Kiel’s a physically imposing man (approximately seven feet tall) which just
adds to the menace. He can rip a van to pieces with his bare hands and has no
compunction about killing on orders.
He seems virtually indestructible, emerging unscathed from a crashed Ford
Cortina and from being electrocuted and thrown off a train and even takes on a
sharkand walks away from it.
It’s a shame that such a strong film is lumbered with a weak
villain – Karl Stromberg, another megalomaniac with a shark fetish (like Largo
and Blofeld before him). Stromberg is a web-handed recluse who wants to start a
nuclear war to ensure that his plans for a civilisation under the sea can come
to fruition. It’s often said that a Bond film is only as good as its villain
which would rank this one just above Thunderball for me.
The sequence at the Pyramids, where Jaws takes out Fekkesh,
is nicely done- director Lewis Gilbert once again showing a good eye for scope
and scale. The scale of some of the sets is absolutely huge- the Liparus set is
just immense as is the Atlantis set. There’s an absolutely rocking theme tune
by Carly Simon (even if the campy showtune remix over the end credits leaves
something to be desired), the underwater Lotus Esprit makes an appearance and
is just as cool as I remember. The Union Jack parachute jump at the end of the
pre-credits sequence is another iconic movie moment, a trifle overblown but
still fun.
1. GUSTAV GRAVES

Whilst not as bad as some other portrayals in the 1960s (Mickey Rooney in Breakfast At Tiffany's, I'm looking at you) there's something slightly racist about the portrayal of No in the film- he is half-Chinese, half-German- which severely colours any attempts at making him a credible villain.



1. ODDJOB

