Showing posts with label for your eyes only. Show all posts
Showing posts with label for your eyes only. Show all posts

Saturday, 27 October 2012

Bondathon Podcast Part 4



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We review the last 3 films of Moore's era. Then we take some time out and talk about the experience so far and also we chat about the longest serving agent 007 - Roger Moore. Enjoy

http://www.justgiving.com/thewatcherscharitybondathon2012

For Your Eyes Only (1981)



A submarine carrying an ATAC decryption system is attacked and the ATAC is sunk. Bond must attempt to recover the device before it falls into enemy hands. Along the way, he encounters a young woman named Melina Havelock who is seeking revenge for the deaths of her parents.

For Your Eyes Only is in marked contrast to the previous adventure, a much more realistic and grounded enterprise than the fantastical Moonraker. A dazzling pre-credits sequence shows Bond visit his late wife Tracy’s grave and then dispose of a wheelchair-bound Blofeld down a smokestack.

The direction by John Glen is superb across the board. The sequence aboard the sunken St Georges where Bond and Melina retrieve the ATAC is shot well as is the subsequent keel-hauling. The stunt work is strong- the chase sequence involving the Citroen 2CV is great as is the ski sequence. Attention should also be drawn to one particular scene which is excellently directed: when Bond kicks Locque’s car off the edge of the cliff.

Whilst Julian Glover never really convinces as a great threat as the villain Kristatos, he gives a solid enough performance. Topol is strong as Greek smuggler Milos Colombo whilst Carole Bouquet is fantastic in the role of Melina. Strong and determined, she is more than prepared to take matters into her own hands to avenge the deaths of her parents. The characters of Bibi Dahl and her ice-skating coach Jacoba Brink don’t add much to the main plot and could have easily been excised. There’s something quite awkward about seeing the very young Bibi throwing herself at the much older Bond. The MI6 scenes also suffer from the absence of Bernard Lee, who sadly passed away before starting filming.

It’s interesting to see the Russians taking less of a neutral position in this one: Gogol is willing to buy the ATAC once it’s been retrieved and commissions Ktistatos to do it. However, when Bond destroys the ATAC rather than either side have, Gogol’s gesture of pragmatism speaks volumes.

All in all, a return to Earth from the sci-fi heights of Moonraker and a decent espionage thriller.

Rating: 4 out of 5

Tez

Thursday, 13 September 2012

Bond At The Oscars: Part Two - The Movies



Yesterday, we looked at the various Oscar-winning (and Oscar-nominated) actors and actresses that have appeared in the Bond films. Today, we look at which Bond films have been nominated for an Academy Award- and which ones have actually won.

It may surprise you to learn that seven official EON Productions Bond films have been nominated for at least one Academy Award, often giving the lie to the assumption that the Oscars are elitist and only go for worthy dramas. True, none of the films have been nominated for Best Picture but there has been recognition of the technical and musical achievements of the following films:

Goldfinger

Widely seen as the best Bond film, it is entirely fitting that Goldfinger is not only the first Bond film to be nominated for an Oscar, but the first to win: Norman Wanstall picked up the Oscar for Best Sound Effects.


Thunderball

Yep, you read that right. Thunderball was nominated for an Oscar. Not only was it nominated; it also won! John Stears picked up the award for Best Visual Effects.

Diamonds Are Forever

Gordon K. McCallum, John W. Mitchell and Al Overton were nominated for Best Sound for their work on Diamonds Are Forever; McCallum did walk away with a Golden Baldy on the night, however, as he shared Best Sound with David Hildyard for Fiddler On The Roof


Live And Let Die

This was the first time a Bond theme was nominated for Best Original Song but ‘Live And Let Die’ didn't win; that honour went to 'The Way We Were' (I personally think 'Live And Let Die' is twenty times the some 'The Way We Were' is, but there's no accounting for taste)


The Spy Who Loved Me

To date, this is the Bond film with the most Oscar nominations: three nods, for Best Art Direction-Set Decoration (for Ken Adam, Peter Lamont and Hugh Scaife). Best Original Song (the epic ‘Nobody Does It Better’) and Best Original Score (Marvin Hamlisch). Unfortunately, nominations would have to be enough- the Oscars were won by Star Wars Episode IV (Best Art Direction-Set Decoration and Best Original Score) and You Light Up My Life (Best Original Song)


Moonraker

This film was recognised for Best Visual Effects (the team of Derek Meddings, Paul Wilson and John Evans) but lost out to Alien


For Your Eyes Only

The last Bond film to be nominated for an Oscar so far, and another nomination for Best Original Song (‘For Your Eyes Only’) but another loss: the Academy Award went to Arthur


Incidentally, the unofficial 1967 version of Casino Royale was nominated for Best Original Song for 'The Look Of Love' but lost to 'Talk To The Animals' from Doctor Dolittle. As you can see, Bond has had an interesting relationship with the Academy of Motion Pictures Arts and Sciences. Could Skyfall break a thirty-one year hiatus and get an Oscar nod? We'll have to wait til next January to find out. 

Thursday, 6 September 2012

Ian Fleming: The Father Of Bond


There are several people without whom we would not be taking on the Bondathon challenge. We will highlight some of them in the upcoming weeks, but it seems only right to start with the creator of Bond: Ian Fleming

Fleming was born in London on 28 May 1908 and was educated at Eton College, editing a school magazine whilst there. After a failed attempt to join the Foreign Office, Fleming started working for Reuters News Agency in 1931 as a sub-editor and journalist, spending time in Moscow during 1933. He worked as a banker and stockbroker before becoming personal assistant to Rear Admiral John Godfrey, Director of Naval Intelligence in May 1939. He was commissioned into the Royal Naval Volunteer Reserve in July of 1939, initially as a lieutenant and then as a commander.

During the Second World War, Fleming worked out of Room 39 at The Admiralty, excelling in administration as Godfrey’s personal assistant and writing memoranda that would have an impact on the course of the war. In 1941-42, Godfrey placed Fleming in charge of Operation Golden Eye which would maintain an intelligence framework in Spain in the event of a German takeover. In 1942, Fleming formed a unit of commandos known as No. 30 Commando, 30 Assault Unit or (more informally) his ‘Red Indians’. The unit would be near the front line of advance in order to seize enemy documents from previously targeted headquarters.

Also in 1942, Fleming attended an Anglo-American intelligence summit in Jamaica and liked the place so much, he decided to live there once the war was over. For a sum of £2000, Fleming purchased land on the north shore at Oracabessa and a house was built, which he named… Goldeneye. Upon his demobilisation in May 1945, Fleming became the Foreign Manager in the Kemsley newspaper group, which at the time owned The Sunday Times. His contract allowed him to take three months holiday every winter in Jamaica. He worked full-time for the paper until December 1959, but continued to write articles until at least 1961

Fleming had mentioned to friends during the war that he wished to write a spy novel, and- in 1952- he achieved this, writing Casino Royale within two months in Jamaica. The main character of Casino Royale was an officer in the Secret Intelligence Service (MI6) and a commander of the Royal Naval Reserve. His name? Bond. James Bond. 

Taking the character’s name from a real-life ornithologist (the author of Birds Of The West Indies), Fleming explained that ‘I wanted the simplest, dullest, plainest-sounding name I could find… Exotic things would happen to and around him but he would be a neutral figure - an anonymous blunt instrument wielded by a Government Department.’ Published by Jonathan Cape in 1953, such was the popularity of Casino Royale that three print runs were needed to cope with the demand.

After Casino Royale, Fleming used his annual three-month sabbatical at Goldeneye to complete another Bond novel. The next novels published were Live And Let Die (1954), Moonraker (1955), Diamonds Are Forever (1956), From Russia With Love (1957), Dr. No (1958) and Goldfinger (1959). For Your Eyes Only (1960) is a collection of five short stories- ‘From A View To A Kill’, ‘For Your Eyes Only’, ‘Quantum Of Solace’, ‘Risico’ and ‘The Hildebrand Rarity’- whilst Thunderball (1961) is a novelisation of a film script written by Fleming along with Kevin McClory and Jack Whittingham. 

Further Bond novels included The Spy Who Loved Me (1962), On Her Majesty’s Secret Service (1963) and You Only Live Twice (1964). The Man With The Golden Gun was published posthumously, along with a collection of stories: 'Octopussy' and 'The Living Daylights'. Originally comprising these two stories, further paperback editions have also included the short stories ‘The Property Of A Lady’ and ‘007 In New York’.

Aside from the Bond novels and stories, Fleming published two pieces of non-fiction- The Diamond Smugglers (1957) and Thrilling Cities (1963)- and the children’s novel Chitty-Chitty-Bang-Bang, which was also published posthumously. Fleming died on 12 August 1964 at the age of 56 from a heart attack; his final recorded words were an apology to the ambulance drivers for inconveniencing them.

Fleming was ranked fourteenth in The Times' 2008 poll of 'The 50 Greatest British Writers Since 1945' and his Bond novels are amongst the best-selling book series in the world. John F. Kennedy revealed that From Russia With Love was one of his ten favourite books. Whatever you may think of his writing style or manner, his literary achievements are undeniable.