Showing posts with label timothy dalton. Show all posts
Showing posts with label timothy dalton. Show all posts

Saturday, 27 October 2012

Licence To Kill (1989)



On his wedding day, Felix Leiter (aided by James Bond as his best man) brings in Colombian drug lord Franz Sanchez. However, Sanchez escapes and exacts a terrible revenge on Leiter and his new bride Della. Frustrated that nobody will do anything, Bond vows revenge- but has to step outside the bounds of his license to kill to do so.

There’s no messing around here, from the very beginning we have balls-to-the-wall action. We are in a different world to the usual Bond film; this is grittier, much more real. Gone are the grandiloquent plans of world domination and exotically-named villains, we are in a very real and very violent world of drug dealers- Sanchez is a man who would cut out a love rival’s heart as soon as look at him so murdering Della and feeding Felix to a shark is par for the course. Robert Davi’s performance is chilling and full of quiet menace. He’s yet another Bond villain with a penchant for sharks. The drugs network is hidden via televangelism messages done by Professor Joe Butcher, played with silky charm by former Vegas showman Wayne Newton.

Dalton is an absolute revelation here, a bundle of rage and determination. There are several subtle nods to Bond’s previous marriage and there’s a lovely moment when Della offers her garter, as the next one to catch it will wed, and Bond gently refuses. He is unrepentant in his disposal of Killifer, callously throwing the suitcase of blood money to weight him down. The scene where Bond is stripped of his licence to kill is just amazing (incidentally, Robert Brown gets his finest hour as M in that scene).. Bond uses a combination of brawn and brains in his vendetta- not only physically punishing people but also casting the seeds of doubt in Sanchez’s mind as who to trust. The physical and mental strain of the mission is writ large over Bond by the end of it. There are some amazing action sequences, especially with the tankers at the end.

David Hedison returns to the role of Felix Leiter for the first time since Live And Let Die (he is one of only two actors to play the role of Leiter more than once) and his easy camaraderie with Dalton is a pleasure to watch. Such is that relationship that, when Felix is attacked, you are absolutely on Bond’s side with his desire for revenge. Q ends up going to Isthmus City (on Moneypenny’s behest) to help equip Bond in his fight against Sanchez. It’s great to see Desmond Llewelyn get an extended role and his relationship with Dalton is slightly different to that of other Bonds- there’s an avuncular concern for 007 (which may be due to the age difference between the two men)

The two Bond girls are on opposite ends of the scale. Talisa Soto gives a great performance as Lupe, Sanchez’s girlfriend. Well, girlfriend may be a very generous term; she’s more his possession. She is desperate to leave him and forms an attachment with James hoping to get out. Carey Lowell is also great as Pam Bouvier, a former army pilot. Bond meets up with her in s scuzzy bar where she’s packing a sawn-off shotgun; she can certainly handle herself. The chemistry between her and Dalton is positively electric which adds another dimension.  She won’t take any nonsense at all which is just brilliant.

Make no mistake, this is a grown-up revenge thriller totally deserving of its 15 certificate. It’s also one of the most intelligent, gripping and engrossing films made in the 1980s and one of the best Bond films.

Rating: 4.5 out of 5

Tez

The Living Daylights (1987)



Russian General Koskov defects, but it is all a lie to get all sides running around, so he and a arms dealer General Brad Whittaker can prepare a new world war to make money of the sales of arms.

Moore left and now it’s time to shake things up, time to get Bond back to being Bond, James Bond. Timothy Dalton takes centre stage and he fills it so well, with the opening pre-title sequence where a training operation is over-run by an assassin. You know you’re in safe hands when the lead actor can be seen actually doing a lot of his own stunts and more importantly you believe he could kill you. Dalton brings with him a sense of realism to the role, he plays the role gritty, close to his instincts but has the stony side that a young Connery has and the wit and charm of Moore.

With Dalton comes a new Monepenny, a younger model and a fresh thinking woman played by Caroline Bliss. Jeroen Krabbe plays the film’s villain – but saying that, this Bond film is a tangled web of espionage, very much in the vain of From Russia With Love was. There’s more than just one nemesis- Joe Don Baker plays corrupt arms dealer Brad Whittaker- and the Bond Girl is played by Maryam d’Abo. The interesting thing here is for first time in numerous films, the female role has been treated as actually a role, a character, and not just a piece of set dressing, She’s a independent, competent woman and what’s nice is she is an innocent party who got mixed up with a wrong individual.

The action is handled superbly, ranging from a car chase across the snow of the Austrian border, with a Bond car full of (very Goldfinger) gadgets, that leads to using a cello case as a sled. We have the action move location and it then takes place in Afghanistan, which at the time was in the control of the USSR and Bond helps the local rebels (Taliban?). But probably the most remembered action sequence is Bond hanging out on a net from the back of a plane, tens of thousands of feet high in the sky, fighting Koskov’s henchman – just classic Bondian fun, but now with a Dalton cutting edge.

This film manages to walk the fine line, it delivers new Bond, a Bond for the late 80s – a Bond closer to the book while at the same time keeping just the right amount of fun in the film, giving us an action adventure film that delivers just what a Bond fan wants and to be honest needed at that time.  It is truly one of my favourites as Dalton is our Welsh James Bond.

Rating: 4.5 out of 5

Rhys

Sunday, 21 October 2012

Video: Best James Bond Quotes

OK, so maybe Bond films aren't Shakespeare (in many ways, with their punning quips and double entendres they resemble that other stalwart of British cinema: the Carry On films) but there are still some good lines to be had. Below are a compilation of some of our favourites:

Friday, 19 October 2012

Bondathon Weekend Schedule


Next weekend, we're taking on the Bondathon. Twenty-three films is a lot to take in, and it would be impossible to just do one after the other. An event like this requires scheduling. So here's ours. Below you can find our itinerary for the weekend; for each day, we've listed the start times for each film we're watching that day. Should you fancy joining us for one, please feel free! We've also included who will be blogging and who will be recording a podcast review for each film.

Please note, times on Friday and Saturday are UK BST (British Summer Time), but the times for Sunday will be UK GMT (Greenwich Mean Time)- the clocks go back one hour on Sunday morning.

 

FRIDAY 26TH OCTOBER, 2012

Dr. No - Midnight (00:00) (Rhys blog, Tez podcast)
From Russia With Love - 6:00am (06:00) (Tez blog, Rhys podcast)
Goldfinger - 8:00am (08:00) (Rhys blog, Tez podcast)
Thunderball - 10:00am (10:00) (Tez blog, Rhys podcast)
You Only Live Twice - 1:00pm (13:00) (Rhys blog, Tez podcast)
On Her Majesty's Secret Service - 3:10pm (15:10) (Tez blog, Rhys podcast)
Diamonds Are Forever - 6:00pm (18:00) (Rhys blog, Tez podcast)
Live And Let Die - 8:10pm (20:10) (Tez blog, Rhys podcast)
The Man With The Golden Gun - 10:20pm (22:20) (Rhys blog, Tez podcast)



SATURDAY 27th OCTOBER. 2012

The Spy Who Loved Me - 4:00am (04:00) (Tez blog, Rhys podcast)
Moonraker - 6:15am (06:15) (Rhys blog, Tez podcast)
For Your Eyes Only - 9:00am (09:00) (Tez blog, Rhys podcast)
Octopussy - 11:20am (11:20) (Rhys blog, Tez podcast)
A View To A Kill - 2:00pm (14:00) (Tez blog, Rhys podcast)
The Living Daylights - 4:20pm (16:20) (Rhys blog, Tez podcast)
License To Kill - 7:00pm (19:00) (Tez blog, Rhys podcast)
GoldenEye - 9:30pm (21:30) (Rhys blog, Tez podcast)



SUNDAY 28TH OCTOBER 2012

Tomorrow Never Dies - 6:00am (06:00) (Tez blog, Rhys podcast)
The World Is Not Enough - 8:10am (08:10) (Rhys blog, Tez podcast)
Die Another Day - 11:00am (11:00) (Tez blog, Rhys podcast)
Casino Royale - 1:30pm (13:30) (Rhys blog, Tez podcast)
Quantum Of Solace - 5:00pm (17:00) (Tez blog, Rhys podcast)
Skyfall - 8:15pm (20:15) (Rhys blog, Tez podcast)


Three days, twenty-three movies and a whole lot of action. As you know, we're doing this to raise money for Cancer Research Wales - please consider sponsoring us, either through JustGiving or via text - see below for details of text giving.



Many thanks

Rhys & Tez
The Watchers

Wednesday, 10 October 2012

Review: Everything Or Nothing



The tag line reads ‘the untold story of 007’. Is it? Yes, if you know nothing about the production history of the franchise; and no, if you know everything that a modern internet age Bond fan does! The film charts the franchise’s fifty years, from Ian Fleming himself, the conception of the novels, the struggles to get the books made into films and the film franchise as a whole.

Let's not kid ourselves here; the film belongs on a DVD as a special feature. The documentary is not strong enough to stand on its own merits as a cinema release. It's obvious that with the fiftieth anniversary that MGM released this (even with a small release) to try and cash in. In the screening I was at, there were four of us in a large Odeon cinema. What's so wrong with it? It's not that it’s bad – far from it; I just wanted more.

The documentary spends a good deal of it's all-too-short 90 minute run, introducing Fleming, his very interesting World War II back story, the novels themselves and then, of course, the birth of Broccoli and Saltzman’s relationship – which lead to the forming of EON productions: Everything Or Nothing. This section of the 90 minutes is very well put together and very interesting; where the film falls short is not enough time is spent on the Bond films. Yes, we get a good amount of time spent on the 1960’s and Connery’s era. Also, they took time with Lazenby and delivered for the first time an honest account of the reason he only did one film! However, the film skims over the details of Moore’s era (which surprised me as he made seven films). Once you've skimmed Moore, then the film practically leaps through Dalton and takes little enough time with Brosnan, leading us to the last few minutes of the film which act as a trailer for Skyfall.

It’s not all bad; there are some genuine revelations within the documentary, some great insights into the making of these films, you hear the truth behind the never-ending court battles with Kevin McClory and the Battle of the Bonds in 1983, the truth behind Connery leaving the series and the fall of his relationship with Broccoli and especially Salztman. There are some genuine moments that are shared for the first time here with fans. But, for me as a massive fan, it didn’t deliver enough detail and enough time spent with all the Bonds. It felt in the most part as trying to stick to a 90 minute format, and it is obvious there is enough material to have this be a much longer documentary that would actually deliver the untold 007 story.

Rating: 3 out of 5

Rhys